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BIBLIOGRAPHY

2015  WORMAN, Kelly. "Interview with Georgia Marsh". Studio Spoken, studiospoken.tumbler.com. June 4, 2015

2014  CHITNIS, Christine. "Garden Visit: At Home in Rhode Island with Painter Georgia Marsh". Gardenista, gardenista.com. June 2014

2005   GLUECK, Grace. “Airborne Sex and Wicked Wallpaper: Sensual Samplings.”  The New York Times. July 29, 2005

GENNOCHIO, Benjamin. "Erotic Art Goes Mainstream." The New York Times. May 8, 2005

2003   KALB, Peter. “Georgia Marsh at Senior & Shopmaker ”Art in America, April 2003, P. 139,(illustration)

2000   MILLER, Christopher. "Sense and Sensibilities". artsMEDIA, February 15 - March 15, Pp. 18-19

1998   PRINCENTHAL, Nancy. “Working Proofs: Georgia Marsh “Ma Langue”. Art on Paper, Vol. 3 No.1, Sept.-Oct.

1997   ZIMMER, William. "A Gallery Sampler at the Aldrich". The New York Times. December 14

            PHILBRICK, Harry. "The Best of the Season" (exhibition catalogue), Ridgefield, Ct. (illustration)

            PRINCENTHAL, Nancy. "Working Proofs: Georgia Marsh "Fleur de Peau". On Paper. Vol.1 No.6, July/August.p.36

1995   DAHGBERT, Anne. "Georgia Marsh". ArtForum. December (Illustration)

            EDELMAN, Robert. "Georgia Marsh". ArtPress. November, pp. 68-69 (Illustrations)

            PINTE, Jean-Louis. "Une nature sensuelle." Figaroscope. September 27-October 3 (illustration)

            _. "Galeries". Liberation, Friday 15 Sept. Paris

            _. Paris Capital, Sept. p.105. Paris (Illustration)

            _. Connaissances des Arts, No. 520, Sept. Paris

            _. " Paris, Peintures, et premieres pierres: Un Tour des Galleries", Le Journal des Arts,  No. 18. Oct. Paris

            ZIMMER, William. "Dreams, Landscape and Wall Paintings". The New York Times. March 19.

1994   COOKE, Lynne. "Interview with Georgia Marsh". Reorientations: Looking East. (exhibition catalogue),       Takashimaya, New York.

            LARSON, Kay. "Asia Minor". New York Magazine. March 7, pp. 80-96

            WALLACH, Amei. "Immigrant Asians' Debut". New York  Newsday. March 11.

            HAGEN, Charles. "The Print Fair". The New York Times. November 11

            TATLOR, Robert. "Provincetown's Magnetic Force". The Boston Globe. July 22

1993   STAPEN, Nancy. "Fractured Photographs: Three Artists Challenge the Way We See". The BostonGlobe. September 23. (illustration)

1992   STAPEN, Nancy. "Landscapes Go Beyond Nature to Explore Relationships with Culture". The Boston Globe. April 26. (illustration)

            TALLMAN, Susan. "Breaching the Barrier - Georgia Marsh's Printed Fabrics". ARTS Magazine. January, pp. 13-14. (illustration)

1991   EDELMAN, Robert. "Paysage Recycle: Le Paysage dans la peinture americaine contemporaine". Art Press, Paris. March, pp. 22-29 (illustration)

1989   BRENSON, Michael. "Straightened Landscapes of a Post-Modern Era". The New York Times. January 13, p. C3 (illustration)

1988   DONOHUE, Victoria. "An Exhibition of Work for and by Women". The Philadelphia Enquirer. March 4. p. 4C (illustration)

1987   DONOHUE, Victoria. "Landscapes That Reach a Long Way". The Philadelphia Enquirer. November 28. p.4C (illustration)

            DONOHUE, Marlena. "Georgia Marsh". The Los Angeles Times. October 2, Part VI, P. 21 (illustration)

            INDIANA, Gary. "Georgia Marsh: Du Micro au macrocosm". ArtPress, Paris. June (illustration)

            MARINCOLA, Paul. "Georgia Marsh". ArtForum. February. pp. 121-122 (illustration)

1986   INDIANA, Gary. "Landscape Today". The Village Voice. December (illustration)

F.A.C.T. Book Committee. "Caught Looking, Feminism, Pornography & Censorship". Caught Looking Inc. New York, pp. 82-83 (illustration)

1985   INDIANA, Gary. "Quarterly Dividends". The Village Voice. October 8. p. 89 (illustration)

            INDIANA, Gary. "Framing Creatures". The Village Voice. May 7. p.71

1984   ---. "An American Landscape". BOMB Magazine. Winter. p. 29 (illustration)

            WINTOUR, Anna. "What's Modern?" VOGUE. January, pp. 175-176 (illustration)

            _., BOMB Magazine, No. 9. Spring/Summer (Cover illustration)

1982   SUSSLER,Betsy. "Les Mots sonts sur la terre comme des mouches sur les champs". BOMB Magazine. Spring.

1976   OLIVA, Bonito. "Transparence/Transparenze". Rome (exhibition catalogue)

1975   LASSALE, Helene. "Ouvres dans les collections du Musee de l'art moderne". Art Americaine, Musee Nationale d'art moderne, Paris

            ---. "La Biennale de Paris (9ieme)". (exhibition catalogue)

            MILLET, Catherine. "Biennale 75". ArtPress, Sept/Oct 1975 (illustration), Paris

_. Plus Moins Zero, Sept. 1975, (illustration), Brussels